Katz-who had performed with artists such as Big Mama Thornton, Barrence Whitfield & The Savages and Ronnie Earl & The Broadcasters-kicked his solo career into gear following the release of his 1997 record, Mississippi Moon. However, you still feel the foundations of where it all came from.”Īs Katz notes, “When I formed my very first band after years of being a sideman, I decided that I would do what I wanted to do instead of trying to fit myself into this person’s vision or that person’s vision.” You might think something he’s written is a traditional blues, and then it takes a left turn. Bruce was a professor at the Berklee College of Music for 14 years. Lieberman adds, “He is willing to be raw in his playing but also very sophisticated. The aptly named Connections also reflects Katz’s lifelong affinity for jazz, funk, boogie-woogie, the classic sounds of New Orleans and even the spirit of the Grateful Dead. However, while the Bruce Katz Band’s new album is steeped in the blues, it references many additional textures and moods. “He is a master of the Hammond B3 and a wizard as far as the keyboards go,” says God Street Wine guitarist/vocalist Aaron Lieberman, who began performing with Katz in 2019. The keyboard player certainly merits approbation for his blues artistry. While Bruce Katz is properly extolled as a preeminent blues artist, this characterization is simultaneously justifiable and limiting.
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